But I'm A Cheerleader

Queer cinema cannot be categorized as a single format or language, it is beyond that. It cuts crosswise over fiction and narrative, liveliness and trial film. Were we to think about surrounding it as a secluded sort, with its own particular formal and story attributes, we would likewise generally fizzle – Strange Film traverses acting, drama, neo-noir, and even westerns. What's more, shouldn't something be said about story? On the off chance that that were along these lines, we would capitulate to the sanctioned and abused clarification that Strange Silver screen is any film whose principle storyline speaks to LGBT characters.

The investigation of gay and lesbian cinema turned into a developing worry in the wake of 1970s feminist film hypothesis and the teach's expanding regard for issues of portrayal—of ladies, of racial and ethnic minorities, and in the long run of gay and lesbian individuals. While there had been a couple of endeavors to talk about onscreen homosexuality before that period, the fundamental content regarding the matter was Vito Russo's The Celluloid Storage room: Homosexuality in the Motion pictures (first distributed in 1981, overhauled and refreshed in 1987). In it, Russo inspected more than eighty long stretches of film history, investigating the ways and means in which gay and lesbian individuals had been depicted at the motion pictures. Those pictures conveyed significant social weight; for some individuals, these pictures were all they at any point "saw" or "knew" about homosexuality before the sexual upheaval of the 1960s.

Over the most recent twenty years, the investigation of gay and lesbian film has extended extraordinarily past shortsighted picture examination. Inside scholarly world, the improvement of third wave women's liberation and eccentric hypothesis crosswise over numerous controls in the humanities has looked to reexamine fundamental ideas about human sexuality, showing the multifaceted nature of a subject that includes individual introduction and conduct as well as the social, and chronicled factors that characterize and make the states of such introductions and practices. The expression "eccentric," once a derogatory sobriquet used to mortify gay people, is presently used to depict that wide region of sexualities. Strange should along these lines be comprehended to depict any sexuality not characterized as hetero procreative monogamy (once the assumed objective of any Hollywood coupling); queers are individuals (counting heteros) who don't arrange their sexuality as indicated by that rubric.

The 1980s was an exceptionally politicized decade, in which a reasonable endeavor was made to extend a "positive" picture of LGBT people to standard gatherings of people, while in the meantime searching for stories and characters for gay groups of onlookers to relate to. The majority of these movies were set against a urban, white and prosperous foundation – a reasonable ploy to achieve a more standard gathering of people. Regarding their portrayal, characters were to a great extent without sexual want, and tried to a hetero-normative family life. Nonetheless, the most significant viewpoint – against which response was quick – was the development of the gay character as "casualty". Of the Guides pandemics, as well as of their encompassing social and political framework, there was an arrival to the portrayal of gay characters forced by the Roughages code. These movies were characterized as "LGBT Film".

While this "Victimization" demonstrate created in the '80s, various movie producers were at that point looking for elective models. In 1985, Gus Van Sant's first element Mala Noche indicated towards what was come. Strange Silver screen would just locate its new shape in 1991, be that as it may, with the presence of Van Sant's My Own particular Private Idaho and Todd Haynes' Toxic substance. The '90s saw the development of new film feel and account styles, all of which propose new transactions of subjective associated with sexual and sex personalities, marked as "New queer cinema"

“ But I’m a cheerleader “ started with 17 year-old megan who is a cheerleader, have a boyfriend and a perfect life. She does not like kissing her boyfriend and prefers being vegetarian, due to these, her parents and friends assume she was lesbian, with the help of an ex-gay, they sent her to True Directions, a camp to turn her from lesbian to straight person. At the camp was where she met her one true love, Graham. Kids from true direction, they get to graduate once they finished their 5 step, this is when Megan would cheer for Graham and tells her that she loves her, winning Graham’s heart, they both will run away with the help of their friend.

This film uses queer theory, based on my understandings, Megan was just a teenage girl trying to be herself when her parents and friends assumed she was lesbian. All this for what ? Just because she does not like kissing a guy ? If we paid attention to the front part, we can see that the boyfriend is a sloppy kisser, given to kiss a guy like this, I would rather kiss a girl. Then they said she have pictures of a hot model in her locker, what is wrong with having a women’s photo ? I mean we need some kind of reference on how to be the ideal women right. Megan was sent to True Direction hoping that she will come out as a straight girl, but little did they know, she came out as a lesbian, with her girlfriend.

But I’m a cheerleader is overall a very good movie for teenagers to know what they are dealing with. It is worth watching more than once. Might as well recommend it to anyone who is going through the same problem !

REFERENCES

"But I'm a Cheerleader" Will Remind You of All The Queer Movies You're Missing Out On. (2017, June 18). Retrieved from http://femmedia.net/but-im-a-cheerleader-will-remind-you-of-all-the-queer-movies-youre-missing-out-on/

Gay, Lesbian, and Queer Cinema. (n.d.). Retrieved from http://www.filmreference.com/encyclopedia/Criticism-Ideology/Gay-Lesbian-and-Queer-Cinema.html

Horan, M. (n.d.). "But Im A Cheerleader" Is Still Important 15 Years Later. Retrieved from https://www.refinery29.com/2015/08/91982/but-im-a-cheerleader-lesbian-movie-lgbt-characters